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The 2023 Companies-In-Residence each receive committed time within the 2023 Summer Season in Poughkeepsie, tailored administrative support for their respective needs, amplification within NYSAF’s communication portals, and other community gatherings to connect them to a larger network for peer support.  

Breaking The Binary Theatre 


Breaking The Binary Theatre is a new work development and community building hub wherein transgender, non-binary, and Two-Spirit+ (TNB2S+) artists come together to reclaim our artistic license and liberty on our own terms in spaces built by and for us. Breaking the Binary Theatre hosts a number of programs and initiatives, including our flagship artistic event each October: the all-TNB2S+ Breaking the Binary Theatre Festival. @BreakingTheBinaryTheatre on Instagram.


The Latiné Musical Theatre Lab

The Latiné Musical Theatre Lab is an organization that develops and advocates for new Latiné-written works of musical theatre in order to radically change who gets to tell musical stories on stages across the country. Founded in November 2021, the Lab's free programs have helped Latine writers develop more than 24 different, new musicals in its first year alone.

The Movement Theatre Company

The Movement Theatre Company creates an artistic social movement by developing and producing herculean new works by artists of color. Under the leadership of David Mendizábal, Deadria Harrington, Eric Lockley, and Ryan Dobrin, our work engages a multicultural audience in a rich theatrical dialogue, enlightens communities to the important issues affecting our world, and empowers artists to celebrate the many sides of their unique voice. Founded in 2007, The Movement has established itself as an artistic staple in the NYC theatre community and was awarded a 2019 Obie Award Grant. Our 2018 production of WHAT TO SEND UP WHEN IT GOES DOWN by Aleshea Harris, directed by Whitney White, received critical praise and recognition (2019 Drama Desk Award nomination), increased the visibility of those affected by racially-motivated violence, and challenged the limitations of a theatrical experience. Additional past production successes include Harrison David Rivers’ AND SHE WOULD STAND LIKE THIS, choreographed by Kia LaBeija, and LOOK UPON OUR LOWLINESS, both directed by David Mendizábal, and breakout NYTimes lauded production of BINTOU by Koffi Kwahulé, translated by Chantal Bilodeau, directed by David Mendizábal.

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The Recovery Project

The Recovery Project wants to change the narrative of the public health crisis that is addiction in our country. By being of service to artists--who both need support and create the stories that form our understanding of the world—and the general public, we hope to shatter the stigma of asking for assistance, thereby saving lives. The Recovery Project is an initiative of Florida Studio Theatre (FST). Florida Studio Theatre (FST) is Sarasota’s contemporary theatre. Founded in 1973, FST has grown to a village of five theatres located in the heart of downtown Sarasota. FST is the largest subscription theatre in the state of Florida and among the largest in the country, serving more than 200,000 live attendees each year across its diverse programs: Mainstage, Cabaret, Stage III, Children’s Theatre, The FST School, New Play Development, and FST Improv. Under the leadership of Producing Artistic Director Richard Hopkins, FST develops theatre that speaks to our living, evolving, and dynamically changing world.

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